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the past may be dead but its nails still grow

by Reichenbach Falls

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1.
god don’t let me live longer than the last anaesthetist i know i’m going to need her help when i’ve turned to lung and bone and my eyes turn to hospital windows and the trees outside are capillaries freezing up god grant my friends will be fortunate in their dependencies let them always know the moment to give up let their wells run dry only once they’ve left them well behind let their camps be broken long before they have to leave this is what we come to when we come to our ends bones as bright as filaments want to shine through skin this is what we come to god let this tattoo last just a little longer than i do it tells the only story i had to tell it’s the marking of the place the painting on the wall of a cave the graven promise in the willow bark
2.
months away, harbours ago what can be said? now that the leaves are coming down putting one more year to bed next to all the others but over geneva the moon was rising then falls away, harvests ago what can be grown? now that the earth is salted here tell me maddy rose, how did i go under again? the hindmost will be turned to salt but over geneva the moon was rising then over geneva the moon was rising then and for a minute my heart was overflowing then maybe i was always going to be a crow oh my sweet sparrow always going to be a yesterday oh my sweet tomorrow the hindmost will be turned to salt but over the hudson the snow was falling then over the hudson the snow was falling then and for a minute i did think we’d be all right then and over geneva the moon was rising then over geneva the moon was rising then and for a minute i did think i’d be all right then
3.
there’s cracks out there honey, underfoot in the ice it sure seems a long way out there to you you can float like a feather like that all that you like but look at me baby, i’ve been heavy all of my life oh the winds that blow she had a thousand winter coats she turned and said, ‘yeah, the past may be dead, but its nails still grow’ jesus christ darling we are just like the sparrows with their tiny chests in this fucking cold let the frost gild the ribcages, the skulls fill with snow let the black bear hearts hibernate, let the birds go wherever birds go oh the winds that blow she had a thousand winter coats she turned and said, ‘yeah, the past may be dead, but its nails still grow’ oh the winds that blow she had a thousand winter coats she turned and said, ‘yeah, the past may be dead, but its nails still grow’
4.
we laid the weaker ones to rest out there in the great north islands and we marked each grave with a splintered driftwood cross washed stained hands and sailed for home made pacts of silence down below decks by candle-flicker and the smell of blood i thought i saw an albatross but it was just an angel we sailed home through the winter and we tried not to remember quite what we'd done what we'd promised to keep hid beneath constellations of dust and gods we forgot all the sailings off and we began to weep for all the ones we'd lost i thought i saw an albatross but it was just an angel and oh that broke my old stowaway heart i thought i saw lost time come back to me but it was just the future and now i can hardly tell the two apart we sang songs at home of our great deeds in the great north islands double of heart and rough of wing the crowds wept at our tragic tales and jesus love me i did as well though i knew that there were things of which we did not sing the short straws and desertions the shrinking cries as we descended on the weaker ones we chosen ones with knives we invoked the tragic muses but all the while we sang the awful truth was whispering in the pages of our hearts i thought i saw their ghosts at the curtain call, but those were only angels oh that broke my understudy heart and now it's hand-in-hand and heart in mouth, death in life and long lost loves and buried years unquiet beneath the ground
5.
i’m a great counter of days my love christmas slipped by in a beat of the year’s broken heart as it slowly gave out and raven’d its way out to sea i’m a palimpsest now, oh the left and the lost a ledger that registers nothing but costs jesus they’re spiraling don’t come to the summer house, i’m breaking down i miss you, i’m glad that you’re gone in these dark haunted corners i minotaur round i can’t pay for the damage i’ve done i’m a palimpsest now, oh the left and the lost a ledger that registers nothing but costs jesus they’re spiraling don’t come to the summer house, i burned it down i set fires and traps in the trees for the minotaur memories roaming the grounds as they follow their strings back to me my love lately i am writing down things that we once knew by heart i’m a palimpsest now, oh the left and the lost a ledger that registers nothing but costs jesus they’re spiraling jesus they’re spiraling jesus they’re spiraling jesus they’re spiraling
6.
pines 04:40
driving through a hangover and pines i thought of you as i do sometimes it all came true, the floodings and the tumults but you were right about the clearings too you once lied i could live on that coastline for that i love you still oh, your lips, they graced some summers but your teeth, well, they haunt the others and i was late, and wasted when i came the cars were parked and you had already waded out you once lied i could live on that coastline for that i love you still i took the pills and when they turned me evil you said 'i forgive you, but i don't think you ever will' leaving all those houses far behind i let the frost touch all my lifelines it all came true, the floodings and the tumults but you were right about the clearings too
7.
a small town, a violent element let's get you out of here you heard me say things that i wish that i never meant you probably didn't want to hear let's steal a hearse and go drive the perimeter i have a theory of you in that dress i made an equation of some heartbreaking elegance it sings of the curve of your neck it sings of the curve of your neck a photo in a dresser-drawer a girl in a lightning storm how'm i going to get away from you now? maybe i'm a minotaur it's what they built these mazes for how'm i going to get away from you now? if i had a sister oh i know she'd have never let me sail out into storm clouds like you oh how i miss that sweet girl that i never met her dark heart it beats in my breast let's steal a police-car and sing along with the sirens their hymns to your hairpin coast roads their psalms to the secrets of your wild past and underwear their prayers of your buried lost gold their prayers of your buried lost gold a photo in a dresser-drawer a girl in a lightning storm how'm i going to get away from you now? maybe i'm a minotaur it's what they built these mazes for how'm i going to get away from you now?
8.
oh my pretty saint i lost my way even with you by me the rain and ivy and the stripped-bare elms were whispering sweet nothings to me where will you be coming when the storm rolls in? little brother you know it’s always back to us where will you be coming when the storm rolls in? oh god help me i was far from home even with you near me out in the gales with the soothsayer birds making their predictions for me where will you be coming when the waters rise baby brother you know it’s always back to us where will you be coming when the waters rise baby brother you know it’s always back to us there’s this dream comes back to me and it’s lovely it’s my funeral, you and i are there holding hands and crying you say, ‘the minotaur’s gone now, never mind, hey, it’s ok’, and we go and get a drink after anyway where will you be standing when the saints march in? oh i hope i can say i’ll be next to you where will you be standing when the saints march in? oh i hope i can say i’ll be next to you where will you be coming when the waters rise? baby brother you know it’s always back to her where will you be coming when the waters rise? baby brother you know it’s always back to her where will you be coming when the storm rolls in? little brother you know it’s always back to her where will you be coming when the storm rolls in? little brother you know it’s always back to her
9.
shipwreck 02:57
baby just look up and see me i’m standing right here in all this maritime architecture and if i am lost to you in the dimming of light i think i’ll go down like a shipwreck tonight baby you know how harbours are they giveth and taketh away all right once you waited for hours at the dockside for me but i think i’ll go down tonight like a ship in the nighttime sea baby just look up and see me i am the lost sparrow from the psalms and scriptures god counts the hairs on your head, my falls from flight and i think i’ll go down like a shipwreck i think i’ll go down like a shipwreck tonight
10.
sunday finds me my hands in salt water sifting through scattered things down on the beach having given up hope that you’d ever come find me i’d given my heart to the sea i’d given my heart to the sea and i filled its place up with cigarette ash i was doing just fine without if anyone asked but of all the dark woods the heart’s the most heavy and when it sinks it is gone beyond recovery and now all the crows and kites of fife are my only friends i’ll never come home sunday finds me at charts of the tidewaters plotting the far beaches where you might be oh come and find me i’m tangled and landlocked i’m fluttering into a murder of me’s i’ve given my heart to the sea and i filled its place up with cigarette ash i was doing just fine without if anyone asked but of all the dark woods the heart’s the most heavy and when it sinks it is gone beyond recovery and now all the crows and kites of fife are my only friends i’ll never come home and now all the crows and kites of fife are my only friends i’ll never come home

credits

released November 5, 2021

Recorded during lockdown over the fall & winter of 2020 at houses / studios / rehearsal rooms in St Andrews, Vienna, Lisbon, Southampton, Oxford & New York City

All words/music: Reichenbach Falls

Abe Davies: vocals, acoustic guitar, 12-string guitar, electric guitar, mandolin, synth, percussion
Simon Lee: electric guitar, drums, bass
Miles Eno: soundpainting
Asher Lack: vocals tracks 2, 5, 10
Mike Gale: vocals tracks 3, 4, 9
Ben Walker: piano track 1
Jeremy Lake: cello track 1

Cover art: James Spackman / Typography & colouring: Madeleine Baker

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Reichenbach Falls UK

A folk-pop project currently based in Scotland and Canada and widely acclaimed in outlets including the Guardian, Line of Best Fit, Exclaim! and Music OMH.

Following the home-spun lockdown release 'the past may be dead but its nails still grow', 2024 will see the release of our first studio album in eight years, 'Wayfarer Beware', from which 'Back to Poet's Lake' is the first single.
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